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Michael
Mears
By Michael Mears
Directed by Rosamunde Hutt
With Riko Nakazono and Michael Mears
1945. The United States drops two atomic bombs on Japan, heralding a terrifying new era of warfare.
The compelling stories of the brilliant Hungarian scientist who helps create the atom bomb, the daring American pilot who delivers it, and the devoted Japanese daughter who suffers the devastating consequences fatally intertwine across countries, continents, and decades.
Partly using verbatim testimonies, this powerful new play explores the events surrounding the catastrophic "mistake" that launched our nuclear age.
CONTENT TRANSPARENCY
In an effort to care for our community, we’re sharing details about this production that may be sensitive for members of our audience. The following information may reveal plot points.
Contains graphic descriptions of injuries and death, and explosion sound effects.
Join us for post-show talkbacks following these performances:
Michael Mears’ Essential Theatre creates small-scale theatre that packs a punch: solo shows exploring issues such as homelessness (the Edinburgh Fringe First award-winning Soup) and the struggles of Britain’s conscientious objectors to war (This Evil Thing); and two-person shows such as Michael's latest work, The Mistake, about Hiroshima and the first atomic bomb.
As with all of Essential Theatre's productions to date, The Mistake features a carefully crafted soundscape, and minimal but highly imaginative set design and props where every element plays an important role. Essential Theatre aims to produce theatre that is compelling, thought-provoking and emotionally engaging.
Read more at: www.michaelmears.org
★★★★ "An evocative, well-researched, and urgently fascinating story." – The Scotsman
★★★★ "The past comes alive - a gripping piece of storytelling" – The Times
"The very personal accounts, particularly the use of diaries from hibakusha, make for a uniquely compelling and gripping production." – British Theatre Guide
"The Mistake manages to remain a gripping historical drama that doesn't overwhelm. You don't end up leaving feeling the world is doomed. There is hope. The Mistake does what theatre does best. It makes you think. It challenges what you think you believe, what you think you know. It redresses historical bias and balance to the way we hear others' histories and stories and gives them a chance to be heard." – Backstage Bristol